Friday, October 20, 2006

Bill Laswell - Seven Souls

MATERIAL - The Road to the Western Lands

Remixes from Material's Seven Souls.


1) Bill Laswell - The Seven Souls (WSB,BL) 5:47; Alicia Renee aka Blue Eyes: vocals; Nicky Skopelitis: guitar; Bill Laswell: bass, keyboards, turntable; Robert Musso: engineering, processing. Produced and arranged by Bill Laswell. William S. Burroughs - words and narration. 1998.


The Seven Souls is a remix from Material's Seven Souls. It is a compilation arranged by Bill Laswell that combines several different aspects of audio sampling, live vocals, bass, keyboards and remixing, along with the narration and words of William S. Burroughs.

This mix has a very unique sound and feeling to it. It takes you on a journey through a narrative told by William S. Burroughs. You can get lost in the beat and flow of his voice. He has a simple and easy way of speaking and reading his narrative. His subjects and metaphor about them are straight forward compared to other Burroughs narratives, but because of the subject it is still pretty abstract.

The words are very powerful, abstractly composed which creates a mood of serious yet far out ideas of death and existence. He can be in the reality at the same moment as being at the complete opposite of reality. His words make you question where you are and where you are going. The subject is death and the Egyptian prophecy of Seven Souls. Even-though he is discussing an ancient belief he is still addressing subjects applicable to today like computers and death camps.

Some of the words really strike home with me because they relate to me personally in so many different ways. For example William S. Burroughs says "what is behind the computers? remote control, of course." this really applies to me. I started to question my self, am I remote controlled? Am I a dead empty human, manipulated by computers? I hope not, I hope I am far more conscious than this, but it makes you think about where you are and what you are doing.

Another profound message was, "This is a penal colony, that is now a death camp." Burroughs is referring to the human race as a penal colony like ants or other colonial animals and insects. This is very powerful statement for him to make about the human race. It makes you feel very insignificant an small in the vast universe.

I like how at the end of the track he talks about writing it's self. He states, "The end of what can be done with words". This is so true and I think that it is why remixing is so important and such a new genre of artistic expression. It is the new cutting edge to remix culture and its ideas and history to create a new meaning or to exaggerate the current meaning. I think it was no chance that Bill Laswell chose to remix this narrative. it is important to inspect why these pieces of music were chosen to accompany this unique piece of narrative. This is an important statement by Bill Laswell about remixing cultures and about technology and society and the human race as a spiritual being.

The beats of the drum kits are amazing and they are lined up really nice. His transitions throughout the song amaze me how they compliment each other. He is good at tweaking them out and adding reverb or delay on them. His scratching to the beat is great too. He adds to the track by reacting to the beat with his own scratching beat.

The harmony flowing gracefully from Alicia Renee's lips, sooth the soul and caress the air as it flows over the beats and rhythms. The chanting sounds of this harmony can easily transport you into another state of wanting to move back and fourth and gracefully move your arms through the space and spirit surrounding your beautiful spirit. Like you are floating in water and your hair is buoyant as you swim under the water or through space.

I love the experimental sounds of the piece, very spicy, and loud, slow, popping, ringing, dinging sounds. These sounds allow you to travel into space where he wants you to be to enjoy this unique composition. He uses the pan technique with these sounds allowing you to hear some of the sounds only through one side of the speaker system. This allows you to become aware of where you are in the experience three dimensionally in reality.

The overall tone of the piece is amazing, it's a narrative, a remix, a harmonic melody with experimental breaks and sounds. The compilation gives me chills during some of the transitions and the dialogue about technology and humanity. I feel good about the piece, it is uplifting yet questioning, it is experiential and progressive in nature. It is simple in ideas yet complex in delivery of them in a unique style of remixed culture.

Saturday, September 23, 2006

Flash Forward Perspective (Austin, Tx 06')

by Jane Crayton

So I got the amazing opportunity to attend the Flash Forward conference in Austin, Texas this last week. I can't really tell you how, just yet, but if you hang around and check out my art, you'll find the real story. I have been working in Flash for about 5 years, and been designing for various industries for about 10 years. I love attending technical conferences so I was very excited for this event. It was awesome, I never imagined so much could be going on in Flash and with this simple software technology. Everything from simple design to application building, to animation, mobile technology and even experimental art. At this point I’m basically about to explode and my brain is bloated with really useful and inspiring info. I am in heaven, staying in the Hilton, meeting people, connecting with inspirational influences and hardcore geeks. Women were about 20% but it was great to see the numbers up and that we are infiltrating the technical professional world.

Tuesday, September 12th 2006 I attended four great sessions. First, Animation for Flash Lite by Todd Sanders, this was great getting some pointers on how to animate little Flash Lite 2.0 movies. Flash Lite 2.0 is one of my interests for art, I am interested in programming for the mobile and bluetooth technology for phones, pda’s and other systems the public uses. My interest in this is purely for the process of my art and how I plan to deliver some of my future art pieces to the general mobile user in public spaces.

I then got the opportunity to see Brendan Dawes, Analog in, Digital Out. This was a great experience for me, I have been interested in Brendan Dawes work since I saw his jazz inspired Thelonious Monk piece with random letters generated by the sounds of Monks music. The tones were generating the letters in a sound reactive art piece honoring the music and the artist in one digital delivery that is beautiful and interesting. It was awesome to see him present his work and speak of his digital interest. I liked to hear about his artistic theory of analog media and how important it is to us even in the digital world. He discussed ideas about how art can transform from analog to digital and vice versa and the importance there of, maybe that explains all the Flash schwag....anyway, great session one of my favorites.

The next session I attended was the Producing Video for Flash session by Scott Fegette, he delivered a clean and straight forward talk about how to produce good video for flash, how to edit and prepare it before importing it into Flash, and the best techniques for importing video to your projects. This was right up my alley, because I use this all the time, I create flash videos for the web and for my art, so I found this session very useful for me on many levels.

I then attended Avoid that Sucking Sound by Dave Schroder. This was another great session, he is pretty clever and had great examples of how to avoid sucking sound and how to get great sound. He demonstrated simple techniques on how to import sound and work with it, with a little theory on sound for design too. I though his presentation was well delivered and his examples were clean and smooth. I really need to work on sound implimition in all of my works more and its been my goal to work with sound more the last year and a half, this inspired me to be more creative with my sources and detailed in my work with sound.

Wednesday September 13th 2006
I attended Hillman on Video. Curtis Hillman has been one of my Flash idols since I began designing for the web. He always had cool new sites he just designed featured on Macromedia’s website and other design sites. I followed his work on various occasions and was pretty interested to hear what he had to say about Video and Flash. It was a brutal 9am session after the Flash Anniversary party where we were all pretty tired, some hung, yeah Geeks party too. Anyway it was hard, but his presentation finally started rolling. He was funny and finally woke up about 30min into his presentation. Somehow he made sense though and I loved his new work he is doing. I am interested in some of the same stories and topics, and methods of delivery. I share a common interest in digital narrative through video using a minimalist style of capture and processing with a detailed concentrated deployment. I was inspired once again, thank you.

I then moved on to catch Flash for Designers (learn to love AS) by Trevor Dodd, I was pretty tired at this point after waking up early for Hillman Curtis so my attention was wondering, and the topic was very simple, I sat through his session for the first 30 minutes, but ended up leaving just because it was a technical session, and I already have those basic skills, I was just affirming knowledge while falling asleep. It wasn’t his fault, it was my lack of sleep and interest, I headed up to catch a quick siesta before the next session.

After a good nap I hit up Migrating to Action-Script 3 from AS2 by Caleb Haye. Apparently this was his first time presenting a session, but I couldn’t tell, he delivered a great session detailing some key differences and upgrades in the new version of AS. He told us how the new software works and what we need to do to optimize our code to be upgraded into the new AS3 format. His speech was well delivered, and he taught me a lot about how to make the transition. His notes in the book are very detailed and give me a lot to reference, thanks for your hard work and great delivery.

My next session was Sound Visualization using Flash with Jared Ficklin from Frog. Frog is a large design company that is very well known for doing some of the best branding and marketing deployment with outrageously awesome and innovative designs ever. So this was cool, a design guy from a top firm giving a talk on how to build your own sound reactive application in Flash...right up my alley. I have been working with sound reaction in my own artwork for about 3 years now. I am interested in building my own applications and was super excited to see what he had done in Flash for this very purpose. I was really impressed, Jared is awesome and pretty clever and funny too. He created several different talking characters to help narrate his session and his slides and movies were very organize, and detailed and his art was cool. He is using flash for some cool things and I was very impressed with how he was using simple flash for complex sound visualization animations and interactive reactive sound stimulations. I learned a lot from him, was inspired by his work and it was super cool to interact with him after the session on several different occasions. Thanks for the local info too, he’s an Austin resident and he hooked us up with some fun stuff to do in the city and great places to chill. Thanks Jared looking forward to checking out your work more in the near future.

The last session I attended was Mashup Baby! by Mario Klingeman, which was an interesting idea that I have studied before. Its about hacking into sites and using existing files for generated digital art. I have a long time interest in this work and admire it greatly. But I wasn’t feeling the presenter. I wanted to see more art, and less detail. I wanted the code to be available, but didn’t need to see it line for line, I wanted to see the art the concept and the theory behind it. I ended up leaving the last 20 minutes to prepare for the next big event.

The Flash-forward Film Festival. So the Festival was amazing, the submissions were awesome, the full art projects of each category were online, and the festival was just a collection of small trailers which detailed the finalists and then they announced the winners. It was a great showing of the different submissions and it encouraged me to of course want to work harder to get one of those orange arrows for my self one day. Thanks for the inspiration from all the artists whom submitted art for this important piece of the conference. Thanks for making the Art a major part of this event. The after parties were nice to meet and connect with people, but the event should have included some artists from our collective group, I expected to see some experimental audio/visual art for the parties and after-parties, I was disappointed in the choice of music and lack of experimental art for the parties. That will change next year, I will make sure of that, expect to hear from me soon, hehe!

Thursday, September 14th 2006
I’ll admit I slept in on Thursday morning but I wanted to see Paul Mattheaus talk on “Designer as Auteur: The recontextualized filmmaker, I bet it was awesome.

I did catch the next session Interactive Imagination: Sight, Sound and Motion Craig Swann. This session was awesome, Craig showed us how he is using Flash to create interactive audio/visual installations and games to use in public spaces that challenge the basic user to interact with the art. He was using live cameras, ethernet and custom built electronics to create his interactive a/v installations. This was the perfect session for me, I have been using midi and max/msp to try to build the same thing, but was inspired that he has been able to do it using Flash. This is definitely a person whom I need to trade technology with.

The next session was Isomation Isolated Behavioral Animation with David Castillo and Jennifer Benavides. This session addressed the use of Flash application development for use and application into the dance world. They are building an application that uses interactivity to help teach people how to dance salsa. The presentation was a little crazy and included a basic class of salsa for geeks with it....to much fun for all these code bending kids.

Particles for the Non-Physicist by Seb Lee-Delisle was another great presentation on how to build and tweak particle animations in flash. He took us though the code, and several examples, but the best part was that he invited the computer users in the session to participate by creating and uploading some particle streams. Several attendee’s participated in this interactive session of particle building which was very entertaining and educational.

The last session I went to was Finches to Flash: Darwin in Design by Jeremy Thorn. This session was great, Jeremy is totally funny, real and down to earth. Jeremy combined his scientific and artistic processes to create a flash program that generates images and designs using a darwinistic approach to creating art. He showed us how this new philosophy of design could work and how he has implemented the world of evolution into his creative development. I loved this session and can’t wait to see what he continues to develop and maybe pick his brain more in the future.

Overall the Flash Forward Conference was great and now I’ve been re-inspired to work in Flash for my art more than ever before....Its so funny how you come home from these kinds of events and then just want to play on the computer for like a few weeks straight...Thanks for all the inspiration and motivation!

Sunday, August 13, 2006

Eating Blackberries from the vine to Richard Devine

Eating Blackberries from the vine to Richard Devine...
Sun, August 13, 2006 - 2:16 PM by Jane Crayton

The day was beautiful, blue skies, warm weather and it encouraged us to take the top off the Jeep. We also knew that it could be cold, and so we made sure to bring warm clothes, we were heading to the beach, in hopes to meet up with a party that was suppose to go off at Pigeon Point. We drove through the mountains, or a rolling forest that was beautiful, we stopped along the way and ate black berries off a huge path that was growing along side the road. It took me right back to my childhood, I saw the huge patch, and I told the driver to stop. I got a bag and started to pick and eat berries right there off the side of the road. It was beautiful, it was simple, and it was just like I was 11 picking blackberries in the back. This was the highlight of my day, I thought, but we weren’t even to the beach yet. After about an hour of winding roads we found our way to Hwy 1 and we found our beach. First checking out the Pigeon Point light house, the historical photographs and navigating the tourist double fisting cameras and cell phones. We moved on to check the beach party and we spotted a U-Haul trailer, and I knew it was the sound; we sat and chilled for a moment, to see whom may be around. We finally saw a couple guy walk up to the trailer and they started to move down some speakers. When we made it down to the beach they had it all set up, it was pimp with a covered dj area, they were about to start setting up. I was drawing on the beach, it was cloudy and I decided to call the sun, and I drew the symbols calling her out to me. I started to stroll the beach, when I see this cop, a California Ranger to be exact. And he’s checking out the area, he’s looking to see whats up with this party. He finally approaches them and talks to them, the results are not good. They had just got down the last speaker, they had so much stuff, down there and they had to move it and get it out of there. It was a bummer but my first beach party canceled by a State Ranger…such is life, we decided to go romping and try to find some jeeping roads. We went into and through the most beautiful forest, traveling on some very small roads, into the middle of these great county and state parks, but all the off-road roads were closed. We at least got to take the scenic way back to town, and a good thing we did, because we ended up making a fabulous dinner and then heading to a party in the city San Francisco. We went to a gallery that was having Richard Devine play. I have never seen him life, but love his music, it’s so crunchy and fuck its great to dance to. I got off hard core dancing almost African style to this experimental electronic music. I was dripping of sweat; my dress broke from my wild arm movements and had to be retied. It was great and even better the VJ had video taped me and had been remixing me with his visuals live. So fun, you bet I’m gonna get those visuals; I got to see this video of my freakE dance to Richards Electronic freaking Noise. We drove back from the gallery in the Jeep and it was so nice to feel the wind cool my body with a swift massage of cool air. Ahhhh the day was incredible, and I got to rock my shizz in San Fran 2 Devine….Ohhh Yeah! Thanks Richard…!

www.richard-devine.com/

Saturday, August 12, 2006

Survival Research Labs @ Zero One


So we got tickets to go see the Survival Research Labs show at the Zero One Art Festival in San Jose. We got there just in time to stand in the front area, we dug through our bags for earplugs but it was no use, we had none. Then this lady came through passing them out to everyone. I was very happy to see this, so important, and my $25 dollars for the ticket part of it was used to provide me safety so I could see the show without fear of hurting my self in the name of art. It was awesome, about a dozen robotic creatures came alive and then took vengeance and destroyed a couple of animating structures. The show included flame throwers, a flame cyclone, and flame busting robots. A Tesla Coil dawned the stage (not sure, but I think it was Dr. Mega Volts), that was no more than the parking lot behind the main festival event space. They had fireworks that were going off, sparks that were flying, the thematic were great, and the lighting was pretty good and a great plus. There were so many different kinds of robots, and crazy things, like these two guys were riding around in a small vehicle that had these huge sound wave blasters on them. When they pointed the sound at you, you could feel the sound waves bounce through your body, it was very cool. He seemed to like to drive near the Tesla coil so it could make a connection with his car, it was very entertaining. This group was pushing the envelope with creating devices that tested its audience’s boundaries, with sound and interactive audio/visual stimulation. I want to see them do a led or something lighted display that will help narrate the performance, it needed a little moderation and I would have loved to been guided through it, because I felt lost, trying to look at everything at once, it was almost overwhelming. But I loved it....check the links below for more details...

www.srl.org/
www.drmegavolt.com/index_history.html

Tuesday, August 8, 2006

Ryoji Ikeda @ California Theatre blows my mind....

Tue, August 8, 2006 - 10:30 AM by, Jane Crayton


Walking in the cool breeze, in the fresh air, I felt alive again; my body and mind refreshed and ready to receive input. Yet I never imagined that I would have been such an important performance, even though I did not fit exactly right, tickets manifesting, everything was flowing and my vibe glowing. It was a much different feeling and crowd than Sonar; Zero One in San Jose was the ultimate Silicon Valley experience. But I didn’t let it deter me from this great perspective Ryoji Ikeda threw in my face. We were sitting center, about 6 rows back, it was perfectly balanced for the audio to reflect and reverberate from my ears to my bones. It was loud, and startling, and it was noise. A lady from the back protested, “It’s too loud” she screamed at the space of silence solicited but not granted. A book slammed down, it was almost unbearable, she screams, “It’s not suppos to hurt,” at the next pause, and the noise is scratching, ripping and tearing apart your ears, a group of people in the front shhhhhhhhh’d her. It’s silent again and just when you think she’s done, she yells, “I’m leaving,” and I hear the theatre door slam behind her. It was powerful, it was noise, it was not suppos to be nice, or soft, it was suppos to hurt and scare and wake you up and leave you shaking. At this point I am in awe, the graphics, the motion, the data was all moving and changing and creating this message of sense and nonsense, of life and death, of reflection and direction. C4I captures the world, translates it digitally and visually for you with a poetic twist and profound message. The first half of the show was brilliant and I was so inspired and happy, you could not have whipped the grin off my face. Technology was being used to translate a message about our culture, about our realities and our alter-dimensional digital worlds that run parallel. We walked out onto the posh patio with a streaming wall water fountain to catch some fresh air during the intermission that forced us out of the theatre. The atrium, patios and halls were crowded with Zero One participants tagged and labeled with their events pass around their necks. We shared a drink and quickly entered the theatre to get our seats for the second half of the show. I had no idea what to expect, but I knew it was going to be good, I just had no idea that I was about to see the best visual perspective of the universe that I have yet seen in my life. It was noise, and it was all data driven the movie named Datamatics was a totally cool life experience for me. The entire experience was awesome, the Venue, the lady screaming the Silicon Valley geeks and artist elites all surrounding us, and yet here I was, in the midst of the best audio and visual representation of our universe to date. I have been waiting, wondering, trying to fully imagine this myself for so long. My study of astrophysics extends to the dimensions of data, and chaos, reality and illusion, art and science. I sat there absorbing each detail of each sound, scratch, squeak. I was powerless in my state of absorption, I had opened up all my senses to inhale the essences of this art work, I could feel and breathe the universe around me, as Ryoji Ikeda gave us the view of our universe VISUALLY using only pure data to reveal the world in which we exist, and it was beautiful. If I ever teach an astronomy class, Datamatics would be the first film I would want all my students to watch…

Tuesday, October 25, 2005

Spooky thoughts after Rhythm Science

I am profoundly interested in digital landscapes that caress our senses. DJ Spooky that Subliminal Kid is a fictional character created as an artistic outlet for the artist Paul D. Miller. Paul describes his journey through self discovery and artistic creation for the public. The DJ Spooky persona was an evolving platform for his "conceptual art project" which developed into this "social sculpture, coding a generative syntax for new languages of creativity" This platform allowed him to use the over saturated youth culture as a subject for his music. He became a sound archivist as well as archiving text and images to use is his art as well.


Paul explains how the controversy of mixing and sampling can be just as unique as the original. How "the best Dj's are griots, and whether their stories are conscious or unconscious, narratives are implicit in he sampling idea." These stories are relevant, fresh and they convey "psychological collage space" which is unique to the art scene. All of these samples can be taken in context or out of it, they can all collage to create a new understanding and a new contextual space that is not limited to the old associations of the original material.


Today with technology artist are able to create, out of samples and images that have previously been a part of another artistic platform. But technology has given us the ability to mix and create other frequencies of artistic expression that is quite controversial. Paul likes to create in this hyper-fluid environment of information culture, this is what he calls "cybernetic jazz." I am interested in this remixing of images and sounds to create different artistic expressions, stories and emotions. I am interested in the live performance and remixing the social medial structure.
Paul really made me think about language and communication through technology. Paul explains " Saying that people are literate means that they have read widely enough to reference texts, to put them to a conceptual framework. They are capable of creating an overview." This basically says that if you are consuming art and music then eventually when you have consumed enough you may then use some of that knowledge to create your own art and music. Monkey see monkey do.

Thursday, May 5, 2005

The Inherent American Design Flaw

The Inherent American Design Flaw
For Educating Youth In
Science, Technology, Engineering and Mathematics.
by: Jane Crayton
May 5, 2005

Educational Public Outreach is a new way for industry and groups get involved in the education of our youth. It is important for all kinds of industry to participate in educating students for future employment needs, as well as preparing them to be productive citizens. Yet in the technologically advanced world we live in, America is leading the industrialized nations as the least educated in science, technology, engineering and mathematics. This is a deeply rooted cultural problem, and we need to address this situation before it spirals out of control. We are not just fi ghting a battle between creationism and evolution in our schools, it is a battle
of religion versus scientifi c method, a battle of gender rolls, and social stigmas. American students are falling behind in science, technology, engineering and math (STEM) because it is inherent in our society in our belief system to be negative towards change and the pursuit of knowledge. What do American Students understand about STEM and is there a problem? Are we teaching our youth enough in STEM to make them competitive in the future? The answer is no, and the reason is a combination of compelling circumstances and social systems entangled with government infrastructure that have hindered STEM education and development for centuries.

Motivated by A Nation at Risk in 1983, systematic research in science education has confirmed that, despite well-intentioned efforts of interested scientists and dedicated teachers, too many students leave the US educational system with fundamental misconceptions of key scientific concepts. (Of- ferdahl, Prather, Slater)

Why are we not teaching our children enough about Natural Sciences? What social attitudes exist about these subjects. How can we change the social stigmas and stereotypes that exist about STEM? What happens if we don't? These questions are fundamental for us to understand how to better communicate basic STEM education into our modern youth.

Eighty-two percent of our nation's twelfth graders performed below the proficient level on the 2000 National Assessment of Educational Progress (NAEP) science test. The longer students stay in the current system the worse they do. According to the 1995 Third International Mathematics and Science Study, U.S. fourth graders ranked second. By twelfth grade, they fell to 16th, behind nearly every industrialized rival and ahead of only Cyprus and South Africa. (US Department of Education)

Although this is not a disease is still is an epidemic of mass proportions, Even president Bush considered a member in the Religious Right Movement can't ignore that his country's children are behind in STEM. This lack of science education is a deep rooted debate, which has resulted in the dumbing down of millions of American children, especially girls. Educational Public Outreach is now going to serve as an important roll for the scientific community because we have to serve as the translators of this critical topic that encompasses several different social dilemmas.

Research indicates that the greatest gains in learning and attitudes toward science result from
instructional environments that engage students by taking into account the needs of learners, in particular, their pre-instructional beliefs and reasoning difficulties. (Offerdahl, Prather, Slater)

Beliefs? How do beliefs play a role in the education of science? Well they have always played a roll in the education of science, because science is almost seen a direct competitor to religion. Understanding our universe and the creation of it, is somehow seen as diminishing the authority of beliefs and religious creationism, and this is the first hurdle that must be knocked down. Simply belief and theory are two different things, one can understand theory, yet still have beliefs.

Evolution and gravitation are fundamental scientific theories. The American public has no problem accepting the theory of gravitation, a.k.a, gravity, but the theory of evolution is widely attacked. (DeVore)

Even more amazing is that the theory of gravity is as understood and widely accepted yet the theory of evolution is not. In fact gravity, we know it exists, we know how it acts, but it is still not a fully understood force of nature. We do not fully understand the properties of gravity at the subatomic level. Just as we have not fully developed a map guiding us through the exact phases of evolution of human beings, or of our solar system, and even our universe. And it is very unlikely that we ever will, I wonder what the probability of that is?

What's important here is that we are thinking and we are figuring out what is happening in the world around us. We are using our inductive and deductive scientific methods to help us generate the bigger picture and greater understanding of the natural laws of physics. But these methods are only considered theories and the term theory can imply a lot of different meanings especially in the eyes of the American Public. What is it about the word “theory” that has got so many people questioning it? Maybe it's the fact that there are currently six
defi nitions for the word in the American Heritage Dictionary.

The·o·ry
1 A set of statements or principles devised to explain a group of facts or phenomena, especially one that has been repeatedly tested or is widely accepted and can be used to make predictions about natural phenomena.
2 The branch of a science or art consisting of its explanatory statements, accepted principles, and methods of analysis, as opposed to practice: a fi ne musician who had never studied theory.
3 A set of theorems that constitute a systematic view of a branch of mathematics.
4 Abstract reasoning; speculation: a decision based on experience rather than theory.
5 A belief or principle that guides action or assists comprehension or judgment: staked out the house on the theory that criminals usually return to the scene of the crime.
6 An assumption based on limited information or knowledge; a conjecture.
[Late Latin theoria, from Greek theoria, from theoros, spectator : probably thea, a viewing + -oros, seeing (from horan, to see).]

Is there a problem with The Theory of Evolution? Or simply the word “theory” and it's common understanding. Coincidentally enough this subject came up a couple of times during the question and answer phase of the presentation It's Only a Theory: American Attitudes about Evolution at the NAI conference. And although most of the scientist in the room understand the Latin meaning for the word theory, the majority of the American public views the word theory and understands it like the previous explanation from the American Heritage
Dictionary, definition number 6, “An assumption based on limited information or knowledge, a conjecture.”

So how did we get from 1“ A set of statements or principles devised to explain a group of facts or phenomena, especially one that has been repeatedly tested or is widely accepted and can be used to make predictions about natural phenomena.” And 2 “The branch of a science or art consisting of its explanatory statements, accepted principles, and methods of analysis, as opposed to practice: a fi ne musician who had never studied theory.” To 6” An assumption based on limited information or knowledge, a conjecture.”? That is a bit contradictory, wouldn't you say? But then again, The American Heritage Dictionary is just giving all known all known all explanations and meanings for the word. And they are in effect a form of media just as much as the bible or any televised NOVA program. Its no surprise that the understanding of one theory versus another theory is not any more clear than the current meaning and understanding of the word theory itself.

For astro-biologists, there may be questions about the specific events, mechanisms, and processes of evolution, but not the fundamental importance of the theory of evolution. For the anti-evolutionists, biological evolution is the central but not sole target. The origin and evolution of the universe, stars, and planetary systems including Earth are also under siege. (DeVore)

So where do we start to unravel this complex web of social stigmas, beliefs, and fears about our own existence in this great cosmological universe? How do people have faith when they learn how insignifi cant they are? How can we have something to live for, when we are just a speck of dust? I can understand these fears, and I think that they are an important part of learning how to defi ne our own meaning in life. These are questions that are not only scary for people, but they are scary for societies and for governments.

Questions that define our importance in the universe are the type of questions that governments are concerned could bring about anarchy, or disruptive, behavior according to some “theorists”. This is the kind of stereotype that can change critical thinkers into critical doers, and could define terrorist thinking in the age of the Freedom Act. Science breeds critical thinkers, and critical thinkers are people more likely to question things they don't understand, including governments and religions.

“Evolution is at the center of an American science vs. Religion debate that shows little prospect of resolution,” according to DeVore. Even today in the year 2005, public schools across America are teaching creationism instead of evolution.

HARRISBURG, PA-The American Civil Liberties Union of Pennsylvania, Americans United for
Separation of Church and State and attorneys with Pepper Hamilton LLP filed a federal lawsuit today on behalf of 11 parents who say that presenting “intelligent design” in public school science classrooms violates their religious liberty by promoting particular religious beliefs to their children under the guise of science education. (ACLU)

This is an example of current battles happening here in America right now, This legal action was filed just 6 months ago in December of 2004 in the State of Pennsylvania. But, is this a surprise? This battle has been going since 1633 when Galileo published his Dialogue well before Darwin. This was the beginning of the war between religion and science, belief and knowledge, hope and scientifi c deduction. In his Dialogue, Galileo supported the Copernican theory of a heliocentric system, in which the earth revolved around the sun. At the time
this was quite a controversy because the Bible suggested that the sun orbited the earth, providing society the beginning of anthropocentrism.

Be·lief
1 The mental act, condition, or habit of placing trust or confi dence in another: My belief in you is as strong as ever.
2 Mental acceptance of and conviction in the truth, actuality, or validity of something: His explanation of what happened defi es belief.i
3 Something believed or accepted as true, especially a particular tenet or a body of tenets accepted by a group of persons.

[Middle English bilieve, alteration (influenced by bileven, to believe), of Old English geleafa.]
SYNONYMS belief, credence, credit, faith. These nouns denote mental acceptance of the truth,
actuality, or validity of something: a statement unworthy of belief; an idea steadily gaining cre-
dence; testimony meriting credit; has no faith in a liar's assertions. See also synonyms at opinion.

ANTONYM disbelief
When we look at the defi nitions of belief we fi nd that there is a lot more assuming and placing confidence in something, the acceptance that something is true from simple mental conviction. Is creationism more widely accepted belief over the theory of evolution. Could you say that creationism is a theory, could you say that evolution is a belief?

American attitudes toward evolution have been studied via polling and other more extensive research efforts. Analysis reveals that a minority of Americans accept the theory of evolution as a valid explanation for the origin of human beings. (DeVore)

So where is the line between creationism and evolutionism in the classroom, and how do we make sure our students and youth are getting what they need to prepare them for the future of technology and science in our modern world? How do we know what they need, and how do we measure our success or failure in teaching this difficult set of theories and accepted knowledge?

Certainly we cannot be dogmatic in our approach, or appear to be preaching a religion of “sci-
entism.” If we do, then we have no more right to a piece of the science curriculum than the religionists. (Stenger)

It is hard to accept something as truth when it may question your preconceived beliefs. That is why we have to be careful in our approach to educate our youth about science and technology. It is evident that the separation between the religious and the scientifi c communities is still at great distances. Just as we do not want to be preached or harassed about creationism, they probably view scientist as attacking their value system with the theory of evolution.

Science is not easy to understand, it is a cumulative process of information gathering and assembling throughout ones life. Evolution is a powerful tool of understanding compounded and constantly changing knowledge and it takes time to understand the process of this natural phenomena we are a part of. And it takes a person a certain amount of inherited knowledge from their environment, learned behavior and educational instruction which helps defi ne the persons ability to understand and learn the complexities of the natural sciences.

In the beginning was nature. The background from which and against which our ideas of God
were formed, nature remains the supreme moral problem. (Paglia) In the beginning humans needed a reason, an explanation for natural phenomena, disaster and disease. They needed a reason to keep going, they needed a reason as to why such doom should come their way. The
explanation they created became a system of beliefs in deities and gods. These beliefs transformed into a belief that we are important and eventually the anthropocentrism belief systems were well and thriving. These religions have transformed and recreated themselves over time trying to explain and reclaim the desired knowledge of creation and the natural sciences.

Astrobiology affords new understandings of life on earth and the possibility of life beyond earth. These new understandings raise profound implications for humanity. It is important that these implications be explored rigorously. (Olien, Impey, Poss, Slater, Woolf)
When we start to look at science and break down our existence, we become simply a living being, an organism on a world, in a solar system, within a galaxy, residing in a universe. When a person starts to breakdown the physical and societal norms they can begin to accept themselves as simply human. “I gain self esteem because I realize I am a human, and as capable as any other human.”

I am also conscious and an intelligent being. It is very enlightening to understand your own consciousness within this great universe. Especially when you understand how unlikely you were to exist anyway, and then to exist and to have consciousness, would be quite rare. I think the Drake equation considers consciousness to factor with the intelligent section. How conscious do we have to be to be intelligent and vice versa.

When one realizes that they are just an organism and a realization that there are only slight differences between the sexes, and even other organism all together we become simply creatures of existence. The female can now transcend to equality, and now we are broken down into our simplest forms “beings”.

“If the bringing of women - half the human race - into the center of historical inquiry poses a formidable challenge to historical scholarship, it also offers sustaining energy and a source of strength.”
(Lerner)

Women have a lot to offer in the way of equal knowledge and skill, even more they are half the human race as Lerner points out in his statement supporting women in technology at IBM. The problem of religion and sexism is one of great complexity, one that deals in politics centuries old, social stigmas and stereotypes, nature, art and general education. A culmination societies knowledge fi ltered into a system of selected knowledge, ready to distribute evenly and lightly upon fresh open minds. Even more alarming is the thought that this is happening more often through the media than educational institutions.

How do I make sure that my future daughters will be taught the importance of natural science, equally to their male counterparts? Can we effectively fi ght creationism and religion without addressing feminism and the gender rolls that society still participates in via the media and material culture? The invention of cyberfeninism and the technofeminist culture to come.

Like feminism, cyberfeminism is open to defi nition but contains gender as the common overarching element. Cyberfeminism takes feminism as its starting point, and turns its focus upon contemporary technologies, exploring the intersections between gender identity, the body, culture and technology. (Brayton)

What is empowering in their research is the understanding that the gendered stereotyping of technology as being a masculine domain and practice must necessarily fall apart, as younger women are growing up with new information technologies as part of their everyday reality. Unlike older women who grew up without computers in their lives, these young women have more easily accepted cyberspace by its everyday presence in contemporary society. (Brayton)

When religion is present, in culture, society and in the classroom; the female is seen as a sexual, motherly object. She is the Mary, Mother Teresa, even Princess Diana, and the simplicity of equality is forgotten in the language of our ancient philosophers and modern press. Yet today we see that our girls are just as interested in technology as most boys given the right opportunities. Religion casts a shadow of disgrace and indifference upon the sexes, and that can cause serious delays in the education of all students in STEM.

Religion makes the natural world signifi cant and gives us purpose and presence without proof, asking us to believe in an invisible proof of faith. Its no wonder America ended up behind in STEM because we are still trying to fi gure out the ultimate debate started centuries ago. We claim to have a separation of church and state, but we still have “In God We Trust” on our money, and thus creationism in our classrooms.

In Aguillard, the high court invalidated a Louisiana law that forbade the teaching of evolution in public school unless “creation science” was taught alongside it as an alternative. There, as in Dover, the law made no express reference to God or to any religion. Yet the Justices nonetheless found that its purpose “was to restructure the science curriculum to conform with a particular religious viewpoint.” (Dorf)

In 1987, the Supreme Court ruled in Edwards v. Aguillard, that the belief that a supernatural creator was responsible for the creation of human kind is a religious viewpoint and cannot be taught in public schools along with the scientifi c theory of evolution. (Dorf)

Why did we decide to not include religious training in our schools? Why was there a separation of church and state? Freedom or the desire to have freedom is the answer. Religious groups have always been trying to get involved in government, predictively so they can get to the people whom “need to be saved” or need to have “faith”.

Is the American Public afraid that we will loose our faith, our will, our desire to participate if we do not have religion as our guide. Will people go crazy, and have no cares if they realize the signifi cance of time? Are the scientist just using the term science as a crutch to carry out their own atheist views? Can someone believe in science and evolution and still have moral values and function in society?

In critically examining evidence for or against intelligent design to the universe, it must be understood that we are following the traditional practice of science, seeking a scientific explanation for observations about the universe that have been previously attributed to the action of supernatural deity. Believers will call us nasty names, like “atheist” and “secular humanist,” and accuse us of undermining faith and morality. (Stenger)

How can Americans play a roll in making sure that each child, male and female has equal opportunity to a full and equal education? Recently the new legislature introduced got a lot of publicity for its efforts to make sure No Child [is]No Child [is]No Child Left Behind. This legislature mandates that all students must receive a certain qualified amount of education by a certain age or grade. And the legislators were careful to include specific guidelines as
to how to research and coordinate such educational training for teachers in STEM.

As the U.S. Commission on National Security in the Twenty-First Century reports, “More Americans will have to understand and work competently with science and math on a daily basis . . . the inadequacies of our systems of research and education pose a greater threat to U.S. national security over the next quarter century than any potential conventional war that we might imagine.” (US Department of Education)

It is ironic that the lack of education can be used against us in conventional war fare and terrorism on one hand, but then on the other, critical thinking derived from scientifi c deduction is often considered a form of terrorist thinking.

No Child Left Behind requires states to fi ll the nationʼs classrooms with teachers who are knowledgeable and experienced in math and science by 2005. The president supports paying math and science teachers more to help attract experience and excellence. (US Department of Education)

The rights of our citizens, to be granted equal opportunity of education, no matter what gender, or eccnomic status. Nor shall the school, city or state interfere with the type of education a person receives, yet sadly it does. Educational boards across the nation are subject to local laws that also govern them. Sometimes these laws are set against the national legislation.

Our teachers are strong and our students want to learn and master this very important combination of natural science, modern technology, social and moral values. They want to lean to live with an acceptance of both belief and theory as fundamental building blocks for our society and understanding our universe. It is important for us to realize the impact of the knowledge we present to our children, and that the impact of creationism, religion, intelligent design all have in the development of our future society, today. To teach American
students the basic fundamentals of STEM will require a complete change in thinking for our society. It will require us to accept the critical thinker, to accept the feminist, accept our selves as people who can change and promote progress towards a greater knowledge and empowerment for everyone.

Works Cited
(ACLU) American Civil Liberties Union. Pennsylvania Parents File First-Ever Challenge to “Intelligent Design” Instruction in Public Schools “Intelligent Design” is Religious Argument, not Science, Say Parents. (2004) http://www.aclu.org/ReligiousLiberty/ReligiousLiberty.cfm?ID=17207&c=139 , May 1, 2005

Brayton, Jennifer. Cyberfeminism as New Theory (1997) http://www.unb.ca/web/PAR-L/win/cyberfem.
htm, May 1, 2005

DeVore, Edna. It's Only a Theory: American Attitudes about Evolution Education and Public Outreach SETI Institute, Mountain View, CA. NIA 2005 Abstract

Dorf, Michael C. Why It's Unconstitutional to Teach “Intelligent Design” in the Public Schools, as an Alternative to Evolution. Find Laws Legal Commentary, Wednesday, Dec. 22, 2004, http://writ.news.findlaw.com/dorf/20041222.html, May 1, 2005

Impey, Chris; Olien, Tom; Poss, Richard; Slater, Tim; Woolf, Nick. Astrobiology and the Sacred. Steward Observatory University of Arizona Tucson, AZ. NAI 2005 Abstracts

Lerner, Gerder. IBM Women in technology, From plugboards to petafl ops: The evolving role of women at IBM. (1982) http://www-03.ibm.com/ibm/history/witexhibit/wit_intro.html, May 1, 2005at IBM. (1982) http://www-03.ibm.com/ibm/history/witexhibit/wit_intro.html, May 1, 2005at IBM

Mifflin Houghton, The American Heritage® Dictionary of the English Language, Fourth Edition, (2004) Houghton Miffl in Company. http://www.answers.com/beliefs&r=67, May 1, 2005

Offerdahl, Erika G., Prather, Edward E., Slater, Timothy F.; Astrobiologyʼs Impact on Science Education. Department of Biochemistry and Molecular Biophysics University of Arizona, Tucson AZ. NAI 2005 Abstracts

Stenger, Victor J, Intelligent Design Humans, Cockroaches, and the Laws of Physics.1997; http://www. talkorigins.org/faqs/cosmo.html, May 1, 2005

US Department of Education The Facts About...Science Achievement, No Child Left Behind http://www.ed.gov/nclb/methods/science/science.html, May 1, 2005